ARCHIVEPress Cuttings Leading Tones

Leading Tones
courtesy of Guitar Player Magazine, December 1997


Tony Iommi

One of the pickups in Tony Iommi's Fender Strat fried just before the recording of Black Sabbath's 1968 debut, Black Sabbath, so the Birmingham, England, native grabbed his spare, a burgundy Gibson SG, and has used SGs ever since. He has experimented with custom pickup wiring for years, mostly in an attempt to reduce feedback. Originally a Marshall man, Iommi switched to Laney 100-watt heads and 4x12 cabs early in the band's career, relying on a Rangemaster tube preamp for treble boost and distortion.

Iommi uses very light strings usually .008s—but increases his sound's weight by detuning to E sharp or D, and by layering rhythm parts in the studio to create a dense, mammoth texture. His tone and his characteristic vibrato were no doubt affected by the plastic thimbles he wears on the tips of his middle and ring fingers, which were accidentally hacked off in the mid-'60s while Iommi was cutting sheet metal. "That's one of the reasons I don't like thick-guage strings," he said. "When I bend the strings, it'll rip my bloody fingers apart."